Ece Yalçın



works    /    info   /    news
 
@eceyalcinstudio / eceyalcin.e@gmail.com



info


Ece Yalçın (b. 1995, Istanbul) studied visual arts in New York and Istanbul. Through painting, installation and digital 3d, Yalçın conceptualizes materials and spatiality. 

In her practice, Ece Yalçın reorganizes in situ materials and forms through mediums. The artist places site–specificity and painting discipline at the center of her practice, reconsidering spaces related to her working area through the binding concepts of the two. As a result, her works take shape as echoes of various spaces such as exhibition sites and installments, gallery storage areas, and studio spaces. Yalçın shows/copies inactive or non-working elements in these spaces or renders them non-functional via choice of material in the opposite direction of their intended use, gathering her chosen mediums with a minimalist approach.

Ece Yalçın pratiğinde mekânlara ait malzeme ve formları, mediumlar üzerinden yeniden düzenliyor. Sanatçı mekana özgülüğü ve resim disiplinini merkeze koyup ikisinin bağlayıcı kavramları üzerinden kendi çalışma alanıyla ilişkili mekanları yeniden düşünüyor. Böylece çalışmaları; sergi mekanları ve kurulumlar, sanat depolanan alanlar, üretimhaneler gibi çeşitli alanların izdüşümleri olarak biçimleniyor. Yalçın, kullandığı medium ve malzemeleri, bu alanlardaki inaktif ya da çalışmayan şeyleri göstermesi üzerine ya da malzemesinin aksi yönünde, işlevsizleştirme üzerinden minimalist bir tutumla bir araya getiriyor.

















CV

Education
MA Visual Arts // Sabancı University / Istanbul / Sep 2021 - Dec 2023

BA Visual Arts // Işık University / Istanbul / 2017 - 2020

BFA Fine Arts // School of Visual Arts / New York / 2013 - 2016


Residencies 
Home Workspace Program // Ashkal Alwan / online / 2021


Projects & Exhibitions
2026 – Use Becoming No Use Becoming Use Again / BENTA / İstanbul / solo show.

2025 – Survival Kit for Dummies / Martch Art Project / İstanbul / group show curated by Melis Golar.

2025 – Network Nihilism: Soft Infrastructures / Pasaj - Barın Han / İstanbul / group show curated by Evagoria Dapola.

2025 – Thank You for Your Time Kasa Gallery / İstanbul / 2 Person Exhibition.

2024 – Mamut Art Project / İstanbul / https://mamutartproject.com/ece-yalçın.

2024 – Material Relocated : MA Thesis Exhibition / FASS Art Gallery, Sabancı University, Istanbul / Solo Graduation Show.

2023 – Capriola Art Week / edition IV / Lecce, Italy.

2023 – Borderless Artbook Days / Arter, Istanbul​​​​​​​.

2023 – Occupation / Meşgale / Barın Han, Istanbul / 2 Person Exhibition.

2022 – Broken Octave / Kırık Oktav / 5533, Istanbul / 3 People Exhibition.

2022 – Open Studio Week / MA studio space, Sabancı University, Istanbul / Two Person Open Studio.

2021 - 22 – Cure / Online space for developing projects in contemporary art practices. / https://www.cure.ist offline / documented.


Publications


Manifold - Kadraj / published 16 September 2023https://manifold.press/kadraj-ece-yalcin-bekleme-odasi
Waiting Room / self published 20 editions / April 2023


Awards
2021 - 2023 – Sabancı University Masters Scholarship


Work Experience

Artist assistant for Dilek Winchester
18th Istanbul Biennial 

Teaching Assistant for Selim Birsel, Meltem Işık, Wieslaw Zaremba 
September 2021-June 2023 / Sabancı University, Istanbul

Artist assistant for Dilek Winchester - Attending the Void 
August - September 2019 / Depo, Istanbul

Photography and Rights DepartmentFall 2015 (4 months) / Morgan Library & Museum, New York


8. Use Becoming No Use Becoming Use Again / 27.03.2026 - 25.04.2026 / BENTA / İstanbul

list of works,
routine
(2026) 65 x 130 cm / oil on canvas
to start (2026) 65 x 50 cm / oil on canvas
detour (2026) 65 x 50 cm (x5) / oil on canvas
to end (2026) 65 x 50 cm / oil on canvas
Ada (2026) 13 x 16 cm / scissor jack, oil on canvas 
3 airs (2026) / scissor jack, ruler
distance (2026) Ø65 x 288 cm / office chair base, plexiglass, spring

“Ece Yalçın’s solo exhibition Use Becoming No Use Becoming Use Again opens on Friday, March 27 at Benta. The exhibition unfolds from the interior of a personal car, continuing the artist’s engagement with everyday objects as tools of creative practice. Central to the exhibition, Routine (2026) is an oil painting depicting a compact landscape seen from the car’s trunk through the ski hatch at its center — a negative space formed by the items carried to the studio. The painting connects the car’s practical function with everyday objects that circulate through the workspace. In a straightforward and practical approach, materials that could be needed at any point in the creative process are brought together through the framework of the car. Neither fully in use nor completely inactive, these objects reflect the rhythm of everyday studio practice. In this way, attention shifts from the final outcome to the process that leads to it and the conditions that make it possible.    * Title adapted from a line in Frank O’Hara, “3 Airs,” in Lunch Poems (San Francisco: City Lights Books, 1964), with the word air replaced by use.”
 











7. Survival Kit for Dummies / 15.09.2025 - 19.10.2025 / Martch Art Project / İstanbul (group show)

Pathfinder / 2025 / 150 x 80 x 60 cm each (x3), r.60 cm each (x3) / aluminum

“Pathfinder” brings together the form and colors of a bike rack and navigation tools such as a compass, drawing on their practical and functional uses. This two-stage guide proposes a parking spot for personal states such as hurried decisions, the urge to take off, or rapidly reached conclusions. Its colors and indicators create a guide that shifts as one tries to decipher it. When the forms referencing bike racks and parts of a compass rose come together, they also form a guide for thought, tracing a new path within the gallery. The guide is made up of the necessary parts to chart ones own way; although these parts do not come together to provide a solution, they resemble an interlocking metal puzzle—something to recall, alter, or retrace while finding one’s way.










6. Thank You For Your Time / 21.11.2024 - 10.01.2025 / Kasa Gallery / İstanbul

list of works,
Soft Copy / 2024 / 32 x 100 cm / led screen and wall mount
Office / 2024 / belt barrier
Rush Hour / 2024 / each 14 x 14 cm / spray and oil paint on canvas, spray paint and acrylic on mdf, queue numbers in office pen holder
Lunch Break / 2024 / 90 x 220 cm / oil on canvas
Windows 95 / 2024 / 21x30 cm / oil on canvas, phone holder

“Ece Yalçın, activates the waiting area inside the bank. Undefined time periods in daily life, the stress of uncertainty, and actions that need to be done rapidly without much thought are included in Yalçın's line of work. Yalçın embodies some moments that are difficult to measure, situations that are hard to define while expressing them with "waiting" objects in spaces that require inertia. She replicates the details of the cash desk on the ground floor of the building, and the adornments around it, and places them in the bank's former safe, which now serves as the Kasa Gallery. Thus, by moving the public semi-public structures within the building, she displaces the semantics of the space.”













5. Material Relocated / 22.01.2024 - 25.02.2024 / FASS Gallery / İstanbul // solo M.A. graduation exhibition accompanied by thesis publication. 

list of works,
Airflow / 2023 /170 x 30 x 30 cm / floor fans, 3d print
Measurement Unit / 2023 /186 x 30 cm / pencil and spray paint on canvas
Copy Of / 2023 / 120 x 200 cm each (x6) / acrylic and spray paint on canvas wooden pallet
Floor Plan / 2023 / 210 x 150 cm, 180 x 120 cm, 140 x 110 cm oil on canvas
650 cm depth / 230 / 170 x 50 x 90 cm / pool ladder 
Room Temperature / 2023 / 120 x 10 x 50 cm, 140 x 10 x 40 cm, 45 x 10 x 120 cm / plexiglass, pencil drawing 
Dashed Line / 2023 / found stones and aerated concrete pieces, polyester body cast













4. 11th Mamut Art Project / 22.05.2024 - 26.05.2024 / Bomontiada / İstanbul (group show)

Floor Plan / 2023 / 210 x 150 cm, 180 x 120 cm, 140 x 110 cm / oil on canvas
Copy Of / 2023 / 120 x 200 cm each (x6) / acrylic and spray paint on canvas, wooden pallet

1. Approaching the medium of painting from outside a descriptive or representation-oriented attitude, the artist establishes a connection between her works and the exhibition space by using methods such as repetition and copying. In the Floor Plan series, where the painting transcends its boundaries and turns into an installation, the paintings, the easels that carry them, and the exhibition space are positioned as a continuation of each other. 
2. In the Copy of series, the artist equates these objects with the canvas by referencing the drywall sheets used to divide the exhibition space.
    *as mentioned in exhibition press release.









3. Broken Octave / 26.11.2022 - 31.12.2022 / 5533 / İstanbul 
In ‘Broken Octave’ Yalçın explores industrial materials and their organic connections in light of errors made by machine production through textile, architectural materiality and a computer glytch. 

list of works,
Distance Form / 2022 / 170 x 70 x 55 cm [each approx.] plexiglass
Insulation Form / 2022 / 100 x 100 x 10 cm / acoustic foam, beeswax, needles
Opening / 2022 / 110 x 75 x 85 cm / chromium drawer and plate, metal chain
Fragile Stretch / 2022 / 120 x 300 x 200 cm (approx.) / silk screen printing mesh, expanding foam, aluminum pipes and chain
Ultraviolet / 2022 / 12 x 18 cm print + 8 x 15 cm paper / diasec print of a glitch screenshot, hand written note, masking tape










2. Capriola : art week in Italy / 15.09.2023 - 18.09.2023 / Lecce / Italy (art fair)

Ultraviolet / 2022 / 12 x 18 cm print + 8 x 15 cm paper, diasec print of a glitch screenshot, hand written note, masking tape

more info











1. Occupation / 26.12.2022 - 31.01.2023 / Barın Han / İstanbul

Extension Series / 2022 / oil on canvas / 163 x 95 cm, 150 x 82 cm, 163 x 97 cm, 151 x 84 cm, 163 x 97 cm, 151 x 84 cm, 163 x 97 cm
Cold into Warm Liquid / 2022 / acrylic sheet, copper rod
Terrain / 2021 / polyester resin, pigment 

In ‘Occupation’ at Barın Han, Ece Yalçın explores what defines her shared studio space at M.A. studies and what sharing a space with another person can contain conceptually. Additionally she is interested in the double meaning of occupation that recalls both occupying a space and having an occupation to make a living. In this two people exhibition, Yalçın reinterprets the mediums  such as ducted airconditioning, standardized items, studios windows as well as the industrial landscape and its polluted colors. 





news

Use Becoming No Use Becoming Use Again / 27.03.2026 - 25.04.2026 / BENTA / İstanbul

https://artistryofgood.com/ece-yalcin-fayda-faydasiz-tekrar-faydali-sergi/
https://daily-lazy.com/2026/05/ece-yalcin-at-benta-istanbul.html
https://kubaparis.com/submission/582421

Manifold Press / Kadraj https://manifold.press/kadraj-ece-yalcin-bekleme-odasi

Melis Bektaş Bir Zaman Krizi Üzerine: Vaktiniz için Teşekkürler https://www.unlimitedrag.com/post/bir-zaman-krizi-uzerine-vaktiniz-icin-tesekkurler

0-1.gallery  https://0-1.gallery/links/artist-ece-yalcin/ 

Arttv Sanat Dünyasında 2024’ün EN’lerini Sorduk: Derya Yücel
https://www.arttv.com.tr/yazi/sanat-dunyasnda-2024un-enlerini-sorduk-derya-yucel



Survival Kit for Dummies / 15.09.2025 - 19.10.2025 / Martch Art Gallery / İstanbul / group exhibition curated by Melis Golar
https://www.unlimitedrag.com/post/kaos-ve-direnc




Thank You For Your Time / 21.11.2024 - 10.01.2025 / Kasa Gallery / İstanbul / 2 people exhibition

Melis Bektaş Bir Zaman Krizi Üzerine: Vaktiniz için Teşekkürler https://www.unlimitedrag.com/post/bir-zaman-krizi-uzerine-vaktiniz-icin-tesekkurler 




https://www.oggusto.com/sanat/sergi/istanbul-sergileri
https://sanatokur.com/beril-or-ve-ece-yalcindan-vaktiniz-icin-tesekkurler-sergisi/
https://arthaber.net/haber/14074/vaktiniz-icin-tesekkurler-sergisi.html
https://www.disonans.com/post/vaktiniz-icin-tesekkurler-sergisi-kasa-galeri-de-aciliyor
https://kasagaleri.sabanciuniv.edu/tr/portfolio-view/vaktiniz-icin-tesekkurler/
https://www.themagger.com/etkinlik/pera-muzesi-bilincli-farkindalik-ile-ice-bakis-atolyesi/?tarih=2024-11-30
https://no-26.com/zaman-ve-sanatin-kesisiminde-bir-sergi-vaktiniz-icin-tesekkurler/

T. Melis Golar’s text accompanies the exhibition.

Exhibition views : Mert Acar
Poster and design : Ece Yalçın





Mamut Art Project / 22.05.2024 - 26.05.2024 / Bomontiada / İstanbul / open call

https://mamutartproject.com/ece-yalçın
https://www.24saatgazetesi.com/farkli-bakislar-bir-arada-mamut-art-project-11-edisyonu-sanatcilari-eserlerini-anlatti 




Material Relocated  / 22.01.2024 - 25.02.2024 / FASS Gallery / İstanbul / solo M.A. Thesis Exhibition

Poster and design : Ece Yalçın
Exhibition views : Mert Acar




Capriola : art week in Lecce / 15.09.2023 - 18.09.2023 / Lecce / Italy






Occupation 26.12.2022 - 31.01.2023 / Barın Han / İstanbul / 2 people exhibition
https://bi-ozet.com/2022/12/30/barin-handa-yeni-sergi-mesgale/
[Oggusto]

The exhibition "Meşgale", consisting of the works of Ayşegül Yapar and Ece Yalçın, will be open to visitors between December 22, 2022 and January 21, 2023. The “Meşgale” exhibition is based on the dynamics and observations of the artists in the process in which they share the same studio. A dialogue transcribed from audio recordings on sharing a studio space accompanies the exhibition text.





Broken Octave / 26.11.2022 - 31.12.2022 / 5533 / İstanbul / 3 people exhibition
Broken Octave, featuring the works of Ayşegül Yapar, Ece Yalçın, and Sofia Abraham, opens at 5533 on Saturday, November 26th. The artists examine the conditions of production in which human labor is at the center, using mechanical and digital methods such as patterning, reproduction, printing, and recording. The dissonant sounds contained in a broken octave are visible in the exhibition both as margins of error and traces of the individual. 

Some of the works in Broken Octave are Ayşegül Yapar’s Cloth no.1, where she uses rusted metal pieces as a printing medium on fabric to focus on domestic labor; Ece Yalçın’s Ultraviolet, which depicts a fictional flower created by opening a three-dimensional model in the wrong software program; and Sofia Abraham’s Autómata, a video work where she records the denim factory established in Mexico by her family members who immigrated from Lebanon as a field research to understand the family’s past and present.

Rana Kelleci’s text accompanies the exhibition.
We thank Sanatorium for their technical support.

Exhibition views: Zeynep Fırat
Translation: Ekin Tümer

https://artdogistanbul.com/kirik-oktav/
https://www.artfulliving.com.tr/gundem/5533te-yeni-sergi-kirik-oktav-i-26814
https://sanatokur.com/aysegul-yapar-ece-yalcin-ve-sofia-abraham-uretimleriyle-5533te/
​​​ https://aposto.com/i/sergi-rehberi-aralik





Cure : online space for developing projects in contemporary art practices / 08.2021 - 2022 / online / project founder and artist